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As Gob's obsessions deepen, we are taken from the battlefields at Chickamauga Creek to the society balls of New York, from innocent childhoods in Homer, Ohio, to the building of the Brooklyn Bridge; and as the machine grows, so does the amazing cast of real and imagined characters: Walt Whitman, ministering lovingly to the Civil War wounded; Mrs. Woodhull and her sister Tennessee, doing business on Wall Street and riding churning tides of scandal; Gob's friend Will Fie, a war veteran who builds a house from glass images of suffering and death; Maci Trufant, Victoria Woodhull's protégé and Gob's great love; and even unnatural Pickie Beecher, a child who seems to float sinisterly between the living and the dead. These disparate lives come together in support of Gob's endeavor, but the abolition of death and the success of his machine may come at a price more hideous and awful than any of them can know.
Both convincing in its portrayal of the collective madness America went through after the carnage of the Civil War, and otherworldly in its contemplation of obsessive grief and longing, Gob's Grief is at once an announcement of a major talent, and an extraordinary achievement in literary art.
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