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"What is life anyway but one last meal and cigarette? Line up everyone in front of a brick wall. I'll play God in a French Foreign Legion uniform. I'll say something witty about the decline of the Republic, and then we'll cut to a close-up of my finger pulling the machine gun trigger. Lights out. The end."
Tea Time is a screenplay disguised as a novella and a novella disguised as a film. An incendiary work of experimental literature combining radical politics, surrealism, and the macabre, Tea Time is both a full-scale assault against everything that is vile about America, and a nostalgic celebration of America's past glory.
Echoing the morbidly humorous works of Burroughs, Céline, Vonnegut, Bataille, and others, Tea Time explores the dark side of Art and the subversive meaning of spectacle. A provocative contribution to the ongoing debate over government abuse of power and the rights of individuals in democratic societies, Tea Time is destined to become a classic of American anarchist fiction.
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